For Your Consideration
Five recordings submitted for GRAMMY® Awards consideration
Five recordings · Three cities · Three languages
Isolirium Entertainment is an independent label working between Bolgatanga, Accra and Austin, Texas. These five recordings were made across those three places — in Gurene, Ghanaian Pidgin and English, with a Ghanaian live band, a kologo player, an American rapper and a Frafra vocalist.
A protest record built as a dialogue rather than a sequence of features. Ataman Nikita sings the hook that opens each cycle; Dr. Pushkin delivers half a verse and Jon Connor answers it, so the two rappers trade rather than each taking a discrete sixteen. At the midpoint the beat switches to a faster tempo and the structure repeats at that speed.
The three voices sit at different distances from one origin — Ataman Nikita from Ghana, Dr. Pushkin in a Ghanaian accent altered by immigration to the United States, Jon Connor in American cadence. The lyric argues against waiting for deliverance from political figures and self-appointed miracle workers.
Creators
Paul Azunre · Richard Azunre · Frederick Osei Akuoko · Jon Kevin Freeman Jr. Produced by Phredxter
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Lyric video
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Listen to No Miracles
A conversation between tradition and diaspora. Stevo Atambire sings in Gurene and Pidgin over the kologo — the calabash-bodied two-string lute of the Frafra people of Ghana's Upper East Region, an instrument transmitted orally within a wider Sahelian griot lute tradition.
He opens by calling home the Yerega: the Mande-descended trading clan long settled among the Mossi, whose merchants travelled perpetually through Gurene lands. Dr. Pushkin answers in English. The hook moves between two livelihoods, farming and headportering, around a Ghanaian proverb — the lazy one will not eat.
Dr. Pushkin recorded his verses in Austin, Texas. Stevo Atambire recorded his in Bolgatanga, Ghana. The conversation the record stages is also how it was made.
Creators
Paul Azunre · Mark Gariba · Stevo Atambire Produced by AzkonnaBeatz Kologo by Nyaabila Showboy
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Listen to Lazy No Go Chop
Recorded live in one take with a four-piece Ghanaian band as part of the Cue Live Sessions. Ataman Nikita sings lead over electric guitar, keyboard, bass and drums, with an electric guitar solo. There are no overdubs and no grid correction.
A minor-key reckoning with ambition and moral compromise. This is a distinct live recording, separate from the studio, orchestral and acoustic piano versions of the song.
Creators
Richard Azunre (lyrics) · Frederick Osei Akuoko (music) Produced by Peewezel Emmanuel Kwame Larbie · Emmanuel Gyan · Amoafo Dwumfuor Christian · Dickson Boakye Danso
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Live session
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Listen to Devil's Game (Live)
An exchange between sung melody and rap rather than melody layered over rap verses. The hook is sung in two halves, one by each performer. Teebran's verse is delivered largely in melody before resolving into rap at its close; Dr. Pushkin's verse is rapped, and he sings the other half of the hook.
The lyric, in Ghanaian-inflected English with some Gurene code-switched in, addresses perseverance, refusal to conform, and the rejection of false idols and cults of personality — framed through the imagery of preaching.
Creators
Paul Azunre · Sunday Adamu · Frederick Osei Akuoko Produced by Phredxter
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Listen to Preach
A collaboration between two solo artists, from Ataman Nikita's album Enigma. Both sing the hook together and each takes one verse, with Ataman Nikita reprising his half of the hook to close the track.
Mid-tempo alternative R&B, synth-led with guitar and programmed drums, atmospheric rather than percussive. The lyric is a perseverance narrative built on the image of a road: rain and storms, worn-out shoes, broken toes, and a refusal to stop moving.
Creators
Richard Azunre · Justin TeriWiizi Dabiri · Mark Gariba Produced by AzkonnaBeatz
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Listen on Enigma